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Wildlife Photographer of the Year 2025 Winners
The annual Wildlife Photographer of the Year (WPY) competition, run by the Natural History Museum in London, consistently delivers a portfolio that is as breathtaking as it is urgent. While the 2025 contest's overall winner captured a ghostly brown hyena in a Namibian ghost town, the aquatic entries—from the dedicated 'Underwater Images' category and others—provided a look beneath the surface of the planet's oceans and wetlands. The winners, selected from a record-breaking 60,636 submissions, highlight the incredible beauty and the pressing threats facing marine life.
The Winning Glimpse: A Future in a Purse
The top prize in the Underwater Images category was awarded to US photographer Ralph Pace for his photograph, Survival Purse. The image features a backlit swell shark eggcase—often called a mermaid’s purse—tethered to the base of a giant kelp stalk in California’s Monterey Bay.

Ralph Pace / Wildlife Photographer of the Year. Location: Monterey Bay, California, USA. Nikon D850 + 28–70mm f3.5–4.5 lens; 1/125 at f14; ISO 640; Nauticam housing; 2x Sea & Sea strobes
Faced with strong currents pushing him from side to side, Ralph struggled to keep steady to photograph this egg case, or ‘mermaid’s purse’. He lit the case from behind to reveal the swell shark embryo within, its gill slits and yolk sac clearly visible among the dark kelp forest. Researchers estimate that kelp forests in Monterey Bay have declined by more than 95 per cent over the past 34 years. Swell sharks depend on kelp to lay their leathery eggs, making them especially vulnerable to such losses.
Morays on the Move and Aquatic Youth
Other category winners and runners-up also put a spotlight on fascinating aquatic behavior and critical conservation issues:
The Terrestrial Hunter: In the Animals in their Environment category, past winner Shane Gross of Canada topped the list with Like an Eel out of Water. The shot captures three peppered moray eels scavenging for dead fish at low tide on D'Arros Island in the Seychelles. This rarely-photographed behavior required weeks of attempts, eventually documenting the eels, which are well-adapted to the intertidal zone, using their keen senses to hunt both above and below the surface, sometimes remaining out of the water for more than 30 seconds.

Shane Gross / Wildlife Photographer of the Year. Location: D’Arros Island, Amirante, Seychelles. Nikon Z6 + 24–70mm lens at 24mm; 1/250 at f5.6; ISO 2500; Godox AD400 Pro flash with 24-inch diffuser; light stand
A Dangerous Meal: Thai photographer Tinnapat Netcharussaeng earned Runner-Up in the 15–17 Years age group for his image, Jellied Meal. Taken while scuba diving off Koh Losin in the Gulf of Thailand, the image shows a green sea turtle biting chunks out of a lion’s mane jellyfish. While an incredible natural moment, the photograph highlights a severe threat to sea life: the challenge of distinguishing between floating plastic debris and jellyfish, often leading to lethal plastic ingestion. Netcharussaeng also received a Highly Commended for a blue shark photograph, Blue Streak, taken off Mexico.

Tinnapat Netcharussaeng / Wildlife Photographer of the Year. Location: Koh Losin, Pattani Province, Thailand. Sony α1 + 28–60mm f4–5.6 lens; 1/125 at f22; ISO 640; Seacam 160D flash; Nauticam NA-α1 housing; Nauticam WACP-1 wide-angle conversion port

Tinnapat Netcharussaeng / Wildlife Photographer of the Year. Location: Off the coast of Cabo San Lucas, Baja California Sur, Mexico. Sony α1 + 12–24mm f2.8 lens; 1/5 at f22; ISO 50; Seacam 160D strobe; Nauticam NA-α1 housing; Seacam Superdome port
Highly Commended: Intimate Stories of the Deep
The full portfolio features several other highly commended underwater images, each telling an intimate ecological story:
Fractal Forest: Ross Gudgeon (Australia) received a Highly Commended in the Natural Artistry category for this image of the exquisite forest-like structure of a cauliflower coral from the inside out in Lembeh Strait, Indonesia. Ross is always looking for ways to use an extended macro wide lens – an underwater version of a probe – to photograph from unusual perspectives. He carefully threaded the lens between the coral branches and backlit the scene with two flashes. Soft corals are filter-feeding invertebrates found in the Indo-Pacific and the Mediterranean. Unlike other corals, soft corals do not use photosynthesis for sustenance. Instead, each polyp-tipped branch bears feathery tentacles that comb water currents for floating phytoplankton.

Ross Gudgeon / Wildlife Photographer of the Year. Location: Lembeh Strait, North Sulawesi, Indonesia. Sony α7R IV + 90mm f2.8 macro lens + Nauticam EMWL 160° lens; 1/100 at f9; ISO 400; 2x Retra Pro flashes; Nauticam NA-α7R IV housing
The Welcoming Turtle: US photographer Jake Stout was Highly Commended for his photo of a snapping turtle as it glides over lake vegetation in New Hampshire. Jake’s experiences with common snapping turtles contrast sharply with their fearsome reputation. Finding them to be calm and inquisitive, he has photographed them in this lake for the past four years, discovering the dramatically different personalities and behaviors of individuals.

Jake Stout / Wildlife Photographer of the Year. Location: Greenfield, New Hampshire, USA. Canon EOS 5D Mark III + 16–35mm f4 lens at 16mm; 1/125 at f11; ISO 400; Aquatica housing; 2x Sea & Sea YS-D2 strobes
Musk Turtle Motel: Isaac Szabo from the USA received a Highly Commended in the Behaviour: Amphibians and Reptiles category for his shot of a trio of loggerhead musk turtles sheltering in the soft clay bank of a spring-fed Florida swamp. While snorkeling, Isaac rounded a submerged tree and came face to face with one of three loggerhead musk turtles. He moved slowly so as not to stir up the sediment, and recorded this moment before the turtle disappeared into its refuge. Loggerhead musk turtles are found in the southeastern United States, primarily Georgia, Alabama, Louisiana and Florida. Although currently stable, their populations are threatened by habitat loss and degradation caused by pollution and increasing water extraction.

Isaac Szabo / Wildlife Photographer of the Year. Location: Suwannee County, Florida, USA. Sony α7R II + Canon 60mm f2.8 lens + Nauticam EMWL lens; 1/10 at f8; ISO 160; Meikon housing; 2x Inon Z-240 strobes
Fragile River of Life: Another Highly Commended image by Isaac Szabo, this one in the Wetlands: The Bigger Picture category shows longnose gars spawning in a crystal-clear Florida river. Wrapping his feet around a drowned tree, Isaac photographed this female longnose gar with several males during the mating season. The presence of the turtle was, for Isaac, the ‘icing on the cake’, as it ‘gives a sense of the whole ecosystem’. This river is one of more than 1,000 waterways fed by freshwater springs renowned for their clarity. Maintaining the aquifers that supply these springs is vital not only for iconic wildlife such as manatees, but also for providing drinking water to nearly half of Florida.

Isaac Szabo / Wildlife Photographer of the Year. Location: Columbia County, Florida, USA. Sony α7R II + Nikonos RS 13mm f2.8 lens; 1/30 at f8; ISO 200; Inon Z-240 strobes
A Rare Sighting: French photographer Greg Lecoeur, a former winner, was Highly Commended for A Monk's Life, an image of a wide-eyed monk seal inside a sea cave. Lecoeur captured the intimate encounter while documenting seal biologists in Greece, highlighting the slow recovery of one of the world’s most elusive and endangered marine mammals.

Greg Lecour / Wildlife Photographer of the Year. Location: Greece. Nikon D500 + Tokina 10–17mm lens; 1/250 at f9; ISO 200; Ikelite DS161 strobe
Troubled Encounters: Swiss photographer Hussain Aga Khan’s A Closer Look framed an Amazon river dolphin, or boto, near a tourist pontoon in Manaus, Brazil. The image draws attention to the population decline of the boto and the controversial practice of tourists paying to feed the animals, which can cause them to become reliant on handouts.

Hussain Aga Khan / Wildlife Photographer of the Year. Location: Rio Negro, Manaus, Brazil. Canon EOS R5 + 8–15mm f4 fisheye lens; 1/125 at f6.3; ISO 2000
The X-Ray View: Sirachai Arunrugstichai, another Thai photographer, was Highly Commended in the Oceans: The Bigger Picture category for his unusual image, Baring The Bones. The work is not a traditional photograph but an X-ray of preserved tropical fish specimens, designed to "visualise the potential loss of marine biodiversity" from threats like ocean warming and destructive fishing practices.

Sirachai Arunrugstichai / Wildlife Photographer of the Year. Location: Chulalongkorn University, Bangkok, Thailand. Poskom PXM-40BT hybrid battery-powered portable X-ray unit + Mars1417X wireless digital flat panel detecto
Plankton Bloom Warning: Ralph Pace was also Highly Commended for a second image, Jelly Smack Summer, which captured a mass—or 'smack'—of Pacific sea nettles in Monterey Bay. The image touches on the debate among biologists that more frequent jelly 'smacks' are potentially a sign of rising ocean temperatures or the removal of predators through overfishing.

Ralph Pace / Wildlife Photographer of the Year. Location: Monterey Bay, California, USA. Nikon D850 + 28–70mm f3.5–4.5 lens; 1/5 at f13; ISO 125; Nauticam housing; 2x Sea & Sea strobe
The winning photographs will be showcased in an exhibition at the Natural History Museum, London, from Friday 17 October 2025, including 19 category winners across topics ranging from underwater to urban wildlife, and photojournalism to mammal behavior.
The exhibition will also help visitors understand how our planet’s habitats are changing. Alongside the award-winning photographs, the sixty-first exhibition will provide insight into some of the habitats pictured by including the Natural History Museum’s groundbreaking metric, the Biodiversity Intactness Index (BII). BII measures how much of a region’s natural biodiversity remains on a scale of 0 to 100%. Adopted as an official Global Biodiversity Framework indicator for decision-making, it is an essential tool for understanding, monitoring and communicating biodiversity changes on a global scale and tracking international progress towards conservation goals.
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